Moments of Unease       
Coming to Hong Kong was about taking risks and learning to let go. is was my rst trip abroad. In this series, I’ve made use of a pinhole camera and lm to create multiple exposed images. ese images are directly representational of my current approach towards trying new things. Once getting trapped within a routine it’s extremely hard to get out, to breathe, and to explore your person. In order to get out of this cycle I completely le everything I knew and begun unlearning. I traveled to a foreign land and documented the sublime chaos I felt while relearning. When shooting lm there is a blind trust you’re putting into it and your camera. When shooting multiple exposures with a Holga camera that trust becomes tripled. Shooting with these tools one can apply logic but is still forced to relinquish an immense amount of control. e camera will give you what it wants just as the world will. For all of these reasons I’m not exactly sure how the image is going to turn out, just as I’m not sure how what I try to communicate with some one of a di erent mother tongue will come out. I’m never sure if the signs I’m attempting to decipher will lead me to the right location. Most importantly I’m unsure of how I’ll come out once leaving here.

Moments of Unease is exhibited in a book format 
   
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